Robert Rausch • Tennessee Valley Museum of Art
Robert Rausch
examination
examination •Artist Statement
“These photographs are not self-portraits but a series of portrait-like images of myself in the guise of created characters, not narrative fragments. They are straightforward images using myself as an archetype, a vehicle for commentary on issues surrounding the roles we play. I have been called boy, man, son, brother, cousin, uncle, husband, father, photographer, designer, art director, professor, artist, technician, but this list barely begins to describe who I am.
The work feels familiar as it is drawn from sources that surround me. Images preserve memories of what maybe never was except for the photograph taken, whether it’s reality or an altered reality that captures a moment. Sometimes that captured moment alters reality and memories are shaped by photographs.
Changes in cultural attitudes to sexuality, gender roles, and social structures have been reflected in the nude throughout history. I took my first nude self-portrait at the age of 19, while attending Parsons School of Design in Paris. The assignment was two nude self-portraits. One photograph should depict how I saw myself and the other was how I wanted others to see me. That was one of my hardest assignments at Parsons. I think I shot it three times before I got something acceptable. The timeless nature of the nude, the vulnerability and exposing power are still of interest. The male nude’s (homo-)erotic nature may be less obvious today than decades ago but informs the work, as well.
Borrowing from Roland Barthes’s Camera Lucida: The act of photographing is in itself an act of death. The instant you click the shutter, you capture what happens only in the present moment, but instantly becomes part of the past. The moment has passed and remains in the photograph, which will continue to live in the future. Like the Sublime the photographic image insists on a message outside of a specific standard or meaning. A photograph is a paradox; it has every chance of being mythical and real at the same time.”
Tennessee Valley Museum of Art
511 N Water St, Tuscumbia, AL 35674
August 23 - September 30, 2022
Tuesday - Friday 9am-5 pm; Saturday 10am-5pm
About the Artist
A self-portrait in front of the family barn with his horse, in a tux with hay stuffed in his pockets - this was Robert Rausch’s application photo for Parsons School of Design in Paris where he first attended art school. The passion the French have for photography was inspiring; this was the first time Rausch realized that images had power.
Rausch’s first experience as a working photographer was in Atlanta. He loved the lifestyle, traveling, working with models, meeting new people every job, and being responsible for producing something new for the client. This finally allowed Rausch to see a separation between his artistic work and what he was doing for clients.
Moving from Atlanta back out to Hollywood, where Rausch had access to sets/costume makers/designers and locations made it easier for him to balance the two worlds of photography and design. Rausch stumbled on the Art Center in Pasadena, and that was the first time he was around like-minded people that felt like he did about his work. After receiving his MFA from Art Center, Rausch stepped back from photography and into the design world, focusing only on design. Rausch received his first CLIO Award, among numerous ADDY Awards.
After his first two children were born, Rausch’s family moved from Los Angeles back to Alabama and he started shooting again. He still kept art directing for design projects, and he started teaching at the University of North Alabama. Rausch also started theStudio Journal, a local publication, in which each issue has a theme.
“The work feels familiar as it is drawn from sources that surround me. Images preserve memories of what maybe never was except for the photograph taken, whether it’s reality or an altered reality that captures a moment. Sometimes that captured moment alters reality and memories are shaped by photographs.”
