UV ACRYLIC
The Process
The image is printed in reverse on the back of an optically clear acrylic panel. You view it through the acrylic itself — the way a painting sits behind museum glass, only fused into a single, seamless object.
No face-mounting. No adhesive layer. UV-cured pigment bonds to the substrate and the panel becomes both the print and its own protection — ready to hang, built to last.
2nd Surface Printing
Print directly to the reverse of the acrylic on our new SwissQPrint Nyala 5 — so the image lives behind the glass-clear face. The result is luminous depth, faithful color, and a surface that protects the work it carries.
DIRECT ONTO ACRYLIC
Benefits
Protection
The print sits behind the panel, shielded from moisture, fingerprints, abrasion, and airborne contaminants by the acrylic itself.
No Facemounting
We print directly to the reverse — no adhesive interlayer, no lamination seams, no risk of delamination over time.
VIVID COLORS
UV-cured pigment delivers a wide gamut, dense blacks, and crisp edge detail that cures instantly and holds saturation.
Luminous Depth
Viewed through optically clear acrylic, the image gains a lit-from-within glow and a sense of three-dimensional depth impossible on paper or canvas.
